Wednesday, September 30, 2009

The Cabinet of Dr. Caligari

The film, The Cabinet of Dr, Caligari, immerses itself in rich, dark mise-en-scene. Aside from its black-and-white appearance, the movie uses heavy shadows and sparse lights to create a dreamlike environment that constantly makes the audience wonder whether the events that are occurring on screen are one of the character’s dreams. Since half the movie takes place in a bizarre mental hospital, the overall environment of the film showcases dead, stark trees, howling wind, harsh rain and colossal gothic structures.

            The set design in the film fully completes the film’s mise-en-scene. Every single set is built by hand and each set is carefully thought out and crafted like a piece of art. This film so very heavy handed with its German Expressionist influence in its set design it almost a tribute every time a character plods across the warped floorboards. The costumes in the film add the eerie mise-en-scene that the environment builds. Many of the characters wear dark colors in flowing costumes and saturated make-up to accentuate the mood and feel of the piece. 

            Since the film is silent, the music played during the movie adds to its stark, creepy environment. The title cards, which are written in scratched cursive, complete the experience because any information that is thrown directly at the audience in text form is crafted to fit the mood.


Mike Curcio

1 comment:

J. Schneider said...

Mike,

You start off with a decent thesis ("the movie uses heavy shadows and sparse lights to create a dreamlike environment that constantly makes the audience wonder whether the events that are occurring on screen are one of the character’s dreams") but then do not adequately support this in your subsequent paragraphs. Remember, your task is not to prove that the film HAS mise-en-scene, or to simply describe what it's like. Rather, your task is to to pose an argument or interpretation as to HOW mise-en-scene is used to create meaning. Mise-en-scene is not simply set dressing, its function in the creation of meaning and story is fully integrated within the film. As such, it becomes part of the storytelling strategy and available to you for critical inquiry.